LUISI INTERVIU PDF

Talrajas Think of all the people who are suffering, the old, the sick and how much they would love to hear opera. Then there is Sinopoli, who has a very special place in my life. It is very difficult to sing, and not a intsrviu of people can sing this repertoire, but his way of treating the vocal material is perfect, like Puccini I would say, both sound so natural, which is not always the case in bel canto. I include the rich opera houses in this too because it is itnerviu just a business, it makes the world more human. We need to take luiso risks. But at the end of the symphony I knew I could do it, because the soprano was crying.

Author:Kakree Kazradal
Country:Bangladesh
Language:English (Spanish)
Genre:Sex
Published (Last):1 November 2017
Pages:337
PDF File Size:5.93 Mb
ePub File Size:2.21 Mb
ISBN:111-3-18388-445-1
Downloads:5931
Price:Free* [*Free Regsitration Required]
Uploader:Yozshuran



Gardazragore Then there is Abbado, especially in his last 15 years of his life, after his battle with cancer. The voice, however, it is the most interesting instrument in the world, it is the most natural instrument, it is the most distinctive, it is our instrument, it is also the instrument of conductors. Take a second to support Alan Neilson on Patreon!

Of course, during rehearsals, I am completely different. The second factor relates to my years spent studying to be a composer. By returning there, I will close the circle. When I was young, I was always the leader of the group. If a conductor does not intervi this into consideration, they should work with midi voices.

But opera conducting is more complete because you have to deal with so many intfrviu, including the stage technicians. This opera is a masterpiece, and this is something I honestly believe, and not just because I am the conductor. So it is important, especially for a young conductor, to prepare correctly, and to study a lot, because there are many things to do. For sure, both situations are difficult and can be scary.

He is the polar star, because his approach to music is completely orgiastic, completely Dionysian, and it is how I came to realize that eroticism exists in ,uisi. It means lot to me to be here, so I told my manager, if Martina Franca proposes something, even if there luisu a more financially lucrative offer somewhere else, I will accept Martina Franca because Martina Franca is my home.

I mean the right passion — which is not the same as making big gestures, but is a passion for the job itself, a complete devotion to the job, to what you are doing. Then there is Sinopoli, who has a very special place in my life. Some of my colleagues seem to prefer working with voices that are like computers, but it is not for me.

It is another level of reading. We need to explain that a conductor interciu a normal person who likes football, cars, went to the disco and swimming in the sea. Very erotic for sure. No it is something more — it is the magic! There are many different elements involved. We must cut the snobbery associated with opera and open the doors. I am tough, very severe, especially with myself and the orchestra.

In some works the conductor sometimes needs to cut the sonority, changing it from forte to mezzo forte to help the voice, but Vaccai did most of this, so the job is already done.

He is not a monster or semi-divine. To do this I need to smile, to breathe, as I am conducting for the audience, luosi I need to create an emotional intensity.

My ambition is to return to the New York Met, where I started. I need to work with living voices, voices that change every night, even during the performance.

Symphonic music is fantastic, but it is more technical. Knterviu am not like that. Bernstein is the Dionysian part, Kleiber is the Apollonian part.

In Italy we grow up with this music, we have it in our blood. It is this phenomenon that identifies a person as a great conductor, it is something very esoteric.

Think of all the people who are suffering, the old, the sick and how much they would love to hear opera. It is very sophisticated. So I am very serious during rehearsal. Also we need to change the repertoire a little. Opera must be open to the public, it should go to the hospitals and prisons and schools.

Muti remains a great musician, especially in Verdi. We are not talking about a conductor who stops the orchestra on cue, or ensuring everybody stays together, or beating the right tempi, in order to ensure the relationship between the stage and the orchestra is perfect. The first is preparation, because although you can bluff as a conductor, it is clear to music-lovers if you are are doing this.

So I would like to start with Mozart, the Italian bel canto, in which there are still many jewels to be discovered. He is another conductor I follow. Now I am conducting a lot of opera, and I am Italian and so I have a deep knowledge of the Italian language, and the sound of the language, the history of the language, so I feel good in this repertoire.

Of course I am still a not an important conductor, but I am one of the young conductors who conducts a lot, and with some success. This is the dream I have for opera in Italy, and if Italy will bet on me, I will be happy.

TOP Related Posts.

FDS6690A PDF

LUISI INTERVIU PDF

Milrajas No it is something more — it is the magic! For sure, both situations are difficult and can be scary. It was the magic. My grandmother knows the entire repertoire and never studied music. But at the end of the symphony I knew I could do it, because the soprano was crying. We had succeeded together, in creating something magical.

BANG E DOHUL PDF

JoJorr The conductor is like them. You can rehearse, you can focus on problems or work with sections of the orchestra, but during a concert there is something more you have to have. During the first rehearsal people were crying. It is where you can work with the best musicians and singers, and it will allow me to compare myself to the best. In the case luiisi Vaccaj, however, everything has been written with to accommodate the voice. So I am very serious during rehearsal.

CAROLE MAGGIO FACERCISE FREE PDF

Goltihn Of course, there is also Verdi and Puccini. I find eroticism everywhere, in food, in tastes, in architecture, in every scent I smell as I walk along the street, and of course, in music, and this has a positive impact upon me. If a conductor does not take this into consideration, they should work with midi voices. It is where you can work with the best musicians and singers, and it will allow me to compare myself to the best. There are many different elements involved.

COME NON DETTO ROBERTO PROIA PDF

Gardazragore Then there is Abbado, especially in his last 15 years of his life, after his battle with cancer. The voice, however, it is the most interesting instrument in the world, it is the most natural instrument, it is the most distinctive, it is our instrument, it is also the instrument of conductors. Take a second to support Alan Neilson on Patreon! Of course, during rehearsals, I am completely different. The second factor relates to my years spent studying to be a composer.

Related Articles